polaroid 55 magic

pure artisan craftmanship, maybe ! hehe

Magic of Polaroid 55 positive / negative.  Magical ! 

Today’s photograph was made with the Graflex Speedgraphic KE-12a and the amazing bokeh-monster Kodak Aero Ektar 178mm f/2.5. Super speedy for a 4×5 lens while most lenses float around the 5.6 f-stop range.

Keypoint in making photographs with a 4×5 is a lot of previsualization, planning on what your composition and checking out your lighting.  A handy incident light meter is mandatory with a slight prayer to the polaroid-gods. keeping your fingers crossed as you pop in a packet of 55PN film.  Next you pull the dark slide/paper back, make your exposure and while simultaneously uttering positive energy, pull the film in one steady pull. counting to past 20 seconds you eagerly pull the packet of film apart seeing both a gummy bluish negative and a slightly over exposed print.  in this case, since you want a decent negative, you want an over exposed print. 

and voila. the above image.

one of my favorite films. comes in a box of 20 sheets. WHOA !  

perspectives

Starting the weekend right.

perspectives or point of view/s.

what is it ? how do you use it in photography ? first, for the photographer it can be crawling on the ground or offering a bird’s eye view by climbing to the top of the highest building. two different vantage points with different psychological and visual differences. besides getting down and dirty, changing the view, via camera perspective show’s you the photographer are ‘working it’. sometimes it works, sometimes it doesn’t. the important part is the effort or efforts.

in the above photograph, a fisheye lens is used to ‘force’ the foreshortened perspective, holding the camera above on a monopod gives a slight aerial view and a clear view of the rest of the subjects. so in this case, various lenses can create a super wide feeling or an isolated feeling via a macro (closeup lens).

macro view. below, freelensed macro view of pink flowers. (lens handheld in front of camera). the isolated view point, condenses the viewers and concentrates her/him into a perspective that oftentimes would be overlooked. detail images is what many photographers sometimes forget to ‘see’, they see the big picture and miss the little ones.

as you know, you can’t go back to the situation after the job is finished.

also when editing a final product of a bunch of images, having different views of an assignment sometimes lends itself to tell the story in a different and creative way.

another variation on the theme with perspective is the illusion of 3-dimensionality on a 2-dimensional surface. a genius of this was escher. huh ? 3d on 2d ? once you learn a bit about lighting, playing in the studio and learning more of the phenomena of light, you can start playing. breaking the rules too.

what rules ?

now the fun begins.

please follow me for tips about photograhy via Follow @lightmeister

4×5 frankenstein SLR

aloha !

up and early this AM. survived/celebrated Randy’s 41st surprise birthday party ! fun ! nice seeing old friends and meeting new ones ! seen clayton Yee of www.nervouswaterhawaii.com/ amazing fly fishing shop in waialae.

today i’d like to share a small project involving a very unusual 4×5-inch single lens reflex called an Arca Swiss 4×5 SLR. i first saw photographs of this rare beast in an Arca Swiss catalog years ago and was fortunate to find one in mint condition. the camera features a focal plane shutter with the top speed of 1/500th of a second. amazing ! first off, its very light in the hand and although the one i found is lacking the front focus bellows unit, i was thinking of adding a Linhof Technika as the front focus unit.

when operating this camera there is a lever on the right side, after cocking the shutter, setting the shutter speed (rear dials), you release the shutter by gently swinging lever in a downward motion. first the mirror glides up and secondly the focal plane shutter snaps and makes an exposure. the mirror then glides back into its downward position. all in one soft motion. most folks accustomed to a large mirror slapping in single lens reflex cameras will be quick to notice the fluid movement of the mechanism. i’m amazed.

when making photographs with a 4×5-inch large format camera, there is the lack of the ability to ‘see’ the image being made. first off, you focus, then stop the lens down. secondly, close the the shutter on the lens. thirdly, while muttering nice words to your subject, you also need to assure the subject to stay still. if u don’t they move and you need to repeat the above process. lastly, you carefully load a film back into the rear of the camera and hoping while u do this you don’t shake or rattle the darn camera, if not, you then repeat again the above ‘song and dance’. sounds laborious ?! hehe ! this is only the beginning.

with the 4×5 SLR (single lens reflex), all you need to do is load a film back at the rear of camera, focus and bam ! the moment you expose the film, the mirror flips up and the shutter opens and SHAZAM ! a lot more spontaneous images can be created using the single lens reflex large format camera.

the SLR 4×5 large format camera traces its roots back to a camera used in the early part of the 20th century called a Graflex 4×5 which was a giant 4×5 single lens reflex camera.

amazing photographers like Dorothea Lange and Joe Rosenthal toted these behemoths around the world and made iconic images that left their imprint in the annals of history. Close your eyes for a second, imagine Rosenthal’s pulitzer prize winning image of the flag raising on Mr. Suribachi or Lange’s iconic ‘migrant’ mom pieta. all created using circa graflex 4×5-inch single lens reflex camera.

below is an image of Mr. Joe Rosenthal and i and an image of him blowing out his birthday candles at Eddie Adams’ ranch in the catskill mountains of upstate New York.

below is an incarnation of a linhof technika IV melded with an Arca Swiss 4×5 single lens reflex, complete with Dallmeyer Pentac 8-inch f/2.9 lens.