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thanks to my grams and gramps !

series of 12 images on 1 roll of 120 black and white film.
have a wonderful week !

lighting by profoto. elinchrom octabank. kodak TRI-x film.


Starting the weekend right.

perspectives or point of view/s.

what is it ? how do you use it in photography ? first, for the photographer it can be crawling on the ground or offering a bird’s eye view by climbing to the top of the highest building. two different vantage points with different psychological and visual differences. besides getting down and dirty, changing the view, via camera perspective show’s you the photographer are ‘working it’. sometimes it works, sometimes it doesn’t. the important part is the effort or efforts.

in the above photograph, a fisheye lens is used to ‘force’ the foreshortened perspective, holding the camera above on a monopod gives a slight aerial view and a clear view of the rest of the subjects. so in this case, various lenses can create a super wide feeling or an isolated feeling via a macro (closeup lens).

macro view. below, freelensed macro view of pink flowers. (lens handheld in front of camera). the isolated view point, condenses the viewers and concentrates her/him into a perspective that oftentimes would be overlooked. detail images is what many photographers sometimes forget to ‘see’, they see the big picture and miss the little ones.

as you know, you can’t go back to the situation after the job is finished.

also when editing a final product of a bunch of images, having different views of an assignment sometimes lends itself to tell the story in a different and creative way.

another variation on the theme with perspective is the illusion of 3-dimensionality on a 2-dimensional surface. a genius of this was escher. huh ? 3d on 2d ? once you learn a bit about lighting, playing in the studio and learning more of the phenomena of light, you can start playing. breaking the rules too.

what rules ?

now the fun begins.

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